Book: Middlegame
Author: Seanan McGuire
Release Date: May 2019
Source: ARC provided by publisher, then audiobook bought from Audible
Rating: 5 out of 5 stars

Seanan McGuire is a very prolific writer. She has written two different urban fantasy series (The October Daye books and the inCryptid books). She has written a bunch of horror novels, including the acclaimed Newsflesh Trilogy under the pen name Mira Grant. And she has gained, probably, her most impressive accolades from her novella Wayward Children series, the first of which – Every Heart a Doorway – was how I came to her in the first place.

Middlegame is a standalone fantasy novel (which I really appreciated! I love a good epic fantasy series but sometimes they get too exhausting and I enjoy a good immersive standalone book). And guys, it is SO GOOD.

I first started reading it in April 2019, when I borrowed an ARC through my work. However, I only got about a third of the way through it before various issues got in the way and I never finished it. And then I returned the ARC to my employer and that was that. So, when I started my “Storm the Castle” 2020 Reading Challenge with my friends, I knew that Middlegame would be on the list of books in the “Books You Started But Never Finished” Category.

A few weeks ago I caved in and just bought the audiobook. Even though I am slowly getting better at reading print books again, I still do the majority of my reading through audiobooks, especially because I can often listen to them while I’m working. It took me quite awhile to finish the audiobook of Middlegame though, for a few reasons: first off, I started it but then decided I really REALLY just wanted to finish the book Lawrence in Arabia first because it had stolen all my attention; second, the plot of Middlegame was stressing me out so much and giving me so much anxiety that I had trouble listening to it for more than half an hour at a time; and third, I didn’t really care for the narrator, Amber Benson.

Amber Beson is the actress who portrayed Tara in Buffy the Vampire Slayer, and by and large I really do like her as an actress. But no matter how hard I tried to get used to her, I just did not like her narration – especially her voices for two of the antagonists, Reed and Leigh. Her voices for the two main characters I didn’t LOVE, but I could handle. Her voices for the two villains just set my teeth on edge every single time. So, that didn’t help. But oh well.

The story itself, however, is AMAZING. I’m going to try to explain what is a rather complex premise and plot without giving away anything too spoilery (I know its been out for almost a year but I still would like to avoid spoilers if I can).

Middlegame is set in a version of America where alchemy exists in secret all around us. Asphodel Baker, one of the great alchemists of her age, sets out to lead humanity to a kind of utopic vision called “The Impossible City” by embodying something called the “Doctrine of Ethos” – a kind of philosophical and magical concept that controls (or perhaps more accurately, creates?) reality – into a biddable human form. However, Asphodel Baker can’t do this on her own, and when her greatest alchemical creation – her protege Reed – kills her, he takes over her task with the help of violent, I would say INSANE, golem-woman named Leigh. And together they create a group of children, created in pairs as twins, with rhyming names, who each MIGHT come to embody the doctrine as they grow.

To be clear, all that is just the PROLOGUE. Stay with me!

The MAIN plot of the book follows one set of these pairs, brother and and sister Roger and Dodger. The twins have been separated at birth by Reed and his associates, but discover each other when they realize they can see through each other’s eyes and speak to each other in their minds despite living on opposite coasts. They do not know WHY or HOW they can do this, and decide they must be quantum-entangled somehow but since they are kids they don’t question it much. They grow up on opposite sides of the country as best friends, but as they become teenagers and then adults a variety of incidents keep tearing them apart (I’m trying really hard not to get spoilery here, folks). They keep coming back together again, and then splitting up, over and over. It was very stressful for me!

Finally, as adults, they reunite one last time as they realize that a) they were created beings, not born in the traditional sense, and b) their creator might be trying to kill them.

The plot of this novel is enormously complex. There are several important characters to keep track of, one of whom you don’t realize will be important until much later in the book. Parts of the novel are told out of chronological order: the book is organized into Parts 1-7, but it continues to return to Part 7 THROUGHOUT the novel! In addition, each part is prefaced with a passage from “Over the Woodward Wall” which is a children’s book that exists in-world for the characters (but not for us) written by Asphodel Baker to indoctrinate children to her ideas. (Fun fact: Seanan McGuire is now actually WRITING this not-real book and it is being published by Tor). On top of all this: there’s TIME TRAVEL in the book. Quite a lot of time travel in the second half (I hope that doesn’t give away too much!).

As I said earlier, this book gave me a lot of stress and anxiety. I want to be clear that this is not a mark against it! It just goes to show how REAL the characters were to me, and how tightly, tensely written the plot was! Every time the two main characters, Roger and Dodger, got separated, or were put in danger, I got very stressed!

This book is brutal and cruel. Both to its characters and to its readers. It is almost physically painful to read. On the other hand, Seanan McGuire’s writing always has a beautiful, almost poetic quality to it. It is especially noticeable in her Wayward Children series, but it is also in evidence here. Some of the passages are just SO PRETTY. Here’s just a few examples:

“Words can be whispered bullet-quick when no one’s looking, and words don’t leave blood or bruises behind. Words disappear without a trace. That’s what makes them so powerful. That’s what makes them so important. That’s what makes them hurt so much.”

“Maybe it would be comforting, to her. The math would be true, and that’s all she’s ever asked from the world. He knows the words that apply to this situation—exsanguination, hypovolemia, hemorrhage— but they don’t reassure him the way the numbers reassure her. They never have. Numbers are simple, obedient things, as long as you understand the rules they live by. Words are trickier. They twist and bite and require too much attention. He has to think to change the world. His sister just does it.”

“For a man on a mission, a hundred years can pass in the blinking of an eye. Oh, it helps to have access to the philosopher’s stone, to have the fruits of a thousand years of alchemical progress at one’s fingertips, but really, it was always the mission that mattered. James Reed was born knowing his purpose, left his master in a shallow grave knowing his purpose, and fully intends to ascend to the heights of human knowledge with the fruits of his labors clutched firmly in hand. Damn anyone who dares to get in his way.”

“She looks like peaches and cream, like Saturday afternoons down by the frog pond, innocence and the American dream wrapped up in a single startlingly lovely package. It’s a lie, all of it. He believes in exploiting the world for his own gains, but she’d happily ignite the entire thing, if only to roast marshmallows in its embers.”

There is also something to be said about determination and hope in this book. These characters balance just on the edge of giving up and giving in every other page, and yet somehow manage to keep trying and keep fighting, in the face of failure and death and worse. And it is also about love – familial love, the love for family and friends, rather than romantic love. And that was something else I really appreciated about this book. No knock on romance – I love a good romance – but this was something different. You’re going to think this is a weird comparison – but it is different in the way Lilo & Stitch was different from the usual “princess falls in love” Disney fare. As someone with three siblings, it was something I could really appreciate (even if I don’t get along quite so well with my siblings as Roger and Dodger do).

All in all, I really enjoyed this book. Just as I have enjoyed everything I have read by Seanan McGuire so far (and I have so much more of hers to read!). I highly recommend this book. Just… maybe not the audio version…

And, even though I didn’t intentionally time the finishing of this book and the writing of this review quite so well on purpose, it is actually quite nicely timed because the trade paperback printing of Middlegame is being released on April 7th. So you can pre-order if you like! How apropos is that?!

For links to buy the book: Amazon, Barnes & Noble, Indiebound

And Tor.com has a couple passages available to read on their website as well: from Part One and Part Four