More Queer Joy Books for Pride Month!

I wanted to share some more queer stories for Pride Month, just because I can! I’ve really loved the recent explosion of queer literature. There’s always room for more improvement, and some genres get more representation than others, but overall I’m very excited to see how many more queer books we’re getting across the board: in SFF, in poetry, in literary fiction, and even in YA and children’s fiction. I’ve tried to share some recent titles in a few different genres for today.

To start with, I wanted to recommend some queer poetry! I don’t talk about poetry here much but I’m actually a HUGE poetry nerd, and read a lot of it. And quite a lot of the poetry I read is queer of some kind or another. So! I have a few to share!

Night With Exit Wounds by Ocean Vuong – this poetry collection from Vietnamese-American poet, also well known for his fiction novel On Earth We’re Briefly Gorgeous, focuses on Vuong’s experiences with immigrant parents, being an outsider in American culture, facing anti-Asian racism, and his experiences as a gay man with less-than-supportive parents, and facing homophobia in America on top of the racism he deals with. The poems are lyrical and hard-hitting. Vuong has a second poetry collection out now, Time is a Mother, which I haven’t had a chance to get my hands on yet.

Next, the two poetry collections by Chen Chen, a Chinese-American poet, examine similar issues of race, sexuality, family, and belonging. His collections are When I Grow Up I Want to Be A List of Further Possibilities, and Your Emergency Contact Has Experienced An Emergency (which I wrote a full review for here). Chen’s poetry, like Vuong’s, deals with the experiences of being an Asian immigrant in the US, and the issues of anti-Asian racism that arise from that. He is also a gay man, and examines the homophobia he experiences in American society, as well as from his parents – particularly his mother with whom he has a fraught relationship. Chen’s poetry is more visceral and blunt, with occasionally humorous or explicit language and description, and some experiments with form. His second book in particular, pulls inspiration from and pays homage to a number of other Asian-American poets, including Bhanu Kapil, Jennifer S. Cheng, Justin Chin, and Marilyn Chin.

Another queer poet worth checking out is Jay Hulme, with his collection The Backwater Sermons. Jay Hulme is a trans-man in the UK, who is also a devout Christian. Much of his work deals with the complex beliefs and emotions that arise from the intersections between religion and sexuality, particularly in a christian culture where some subsections of the community are very welcoming of queer identity, and other subsections are violently and vehemently opposed. Hulme imagines gentle and accepting Jesus in a dance club, and re-frames saints with queer identities of all kinds. Personally, as a queer woman who came from a Catholic background and now has a complicated and ambivalent relationship with religion writ large, I found Hulme’s poetry and perspective on Christianity touching and enlightening and filled with a hope I have not yet found for myself. Here is one of the poems from this collection: “Jesus at the Gay Bar.”

I can also highly recommend K. J. Charles’s newest release: The Secret Lives of Country Gentlemen, which is in the same vein of much of her other work. A queer historical romance, this one is set in Regency England (did I mention this is one of my favorite time periods?), and features a lonely prickly baronet, his former lover – a charming smuggler, and a creepy gothic estate on Romney Marsh. I love everything Charles writes, and this one is no exception. Hopefully, I’ll get around to writing a full review for this one eventually, but in the meantime, you should still check it out!

And I’ll stop, today, with The Red Scholar’s Wake by Aliette de Bodard. This one is a sapphic science fiction with space pirates, and a sentient spaceship. It’s been described as Black Sails in space, but with lesbians, romance, and Vietnamese influences. This one came out last year, and I had it on my radar then, but didn’t finally get around to buying until last week. So, I haven’t read this one yet, but it’s at the top of my TBR stack. It sounds amazing, and the reviews have been great, and I have no doubt I’ll love it when I get to it.

Some Queer Joy Books for Pride Month

I’m getting the blog back up and running, and I’m just in time, because: It’s Pride Month! In the face of all the current awfulness in the U.S. (which I’m not going to get into here, because it’s terrifying and rage-inducing and I’m tired), let’s focus on fun things. So, as your resident Disaster Bi, allow me to offer up some Queer Joy books for your reading pleasure!

By happy coincidence (probably not coincidence, they probably did it on purpose), a bunch of books releasing THIS WEEK are happy and gay!

Mortal Follies by Alexis Hall — Alexis Hall of Boyfriend Material fame, returns with a sapphic, Regency-era romance fantasy this time! Which is pretty much my absolute favorite combination of words in the English language. I’ve been a Regency-era nut since I was a kid, and when you combine sapphic, romance, and fantasy together, you put me smack-dab in my happy place. I am SO excited for this one! (I love these trope/tag meme book graphics! I don’t care if anyone else thinks they’re dumb. Also, look how pretty this cover is!)

We Could Be So Good by Cat Sebastian — the newest book from Cat Sebastian (famous for her queer books of mostly, but not only, gay man) sounds like a really great romp. You can always count on Cat Sebastian for relatable characters, engaging plots, and all the gayness. This one is set in 1950s New York, and features a scrappy newspaper writer and the son of a Newspaper Tycoon who grow close in the midst of the very dangerous anti-gay atmosphere of the 50s.

The Last Drop of Hemlock by Katherine Schellman — This book is primarily a historical mystery novel set in 1920s New York (another one of my favorite time periods!). It’s the sequel to Last Call at the Nightingale, for which I wrote a glowing review last year. Like the first, it features my fellow resident Disaster Bi, Vivian Kelly as she navigates her new job at a speakeasy, her attraction to the dangerously alluring woman who owns the speakeasy, and stumbling upon yet another murder (and, okay, this one might stretch the definition of “joy” in “Queer Joy,” as Vivian is really Going Through It, but still…). Katherine Schellman is an instant-buy for me and I cannot recommend her work highly enough! (I couldn’t find a fun graphics version of this cover, alas.)

There are, of course, PLENTY MORE. But all three of these literally released this week so I thought it would be fun to highlight them. Hopefully, I’ll do a second post with even more options. And, of course, I’ve written about plenty of queer books in the past, such as:
“Queer Romances for Pride”
“Queer Romances Redux: The Whyborne & Griffin Series”
“Book Review: Imperfect Illusions”
“Two-For-One Book Review: Marvellous Light and Restless Truth”

Queer Romances for Pride (Pt 1)

“chaotic” pride flags courtesy of @WhyTheEnn on Twitter

Happy Pride Month, friends!

We have now entered June, a month in which the queer community defiantly celebrates our joy and diversity while corporations that ignore us the rest of the year (or actively legislate against us) try to throw a bunch of tasteless tone-deaf pride merch at us in an effort to grab that sweet, sweet queer cash. Yay!  (For the record, I am bisexual – disaster bi for life, fam!).

It is strangely fitting that last week I wrote a post about my current obsession with (mostly queer) romance novels, so I thought in honor of Pride Month I would share a few of my favorite queer romances. Every single one of these romances features queer MCs, but I cannot promise that every single author is themselves queer.

I do look for and read novels from out-queer authors, but it is a recorded fact that an outsized percentage of queer romances are written by straight cis woman. Or at least women who by all accounts seem to be straight and cis. Part of the confusion is that some of these romance writers maybe bi or nonbinary, but most do not divulge their orientations or identities at all. (There are a couple authors I am specifically thinking of that I pretty much assume are bi/pan but have not explicitly said so in their bios or social media, so… who knows?) Partly this is because it is safer marketing-wise not to divulge, but mostly this is because authors have every right to keep that information private if they so desire. So, to be clear, I am not out here demanding to know the sexual orientation of every romance novelist I read. Authors do not automatically owe us that (this is part of a larger issue with the Own Voices movement, which was well-intentioned when started but became weaponized very quickly and is now losing favor).

I admit that I do wish the publishing community in general would prioritize more genuinely queer authors writing these kinds of stories. However, that is NOT to say that I believe straight women (or straight men for that matter) are not allowed to write these, nor that a straight person is incapable of writing a very good, very well-researched, sensitive, and absolutely enjoyable queer romance. Some of my faves have come from KJ Charles, for instance, who is a straight woman and acknowledges the amount of research and sensitivity that is required when she writes queer characters.

In any case, let’s talk books!

For queer romance novels by queer writers, my brain does (of course) immediately jump to T.J. Klune, who I’ve mentioned before, as I wrote a review of his novel House in the Cerulean Sea last year. Klune has, in fact, written quite a large number of absolutely excellent fantasy romances. Two of his standalone novels, House in the Cerulean Sea and Under the Whispering Door are my personal favorites. But he has also written two YA novels about teenage superheroes in which much hilarity ensues amidst the romance called The Extraordinaries and Flash Fire (the third book, Heat Wave, is coming soon). And he’s written many many others, including his Green Creek series (Werewolf romance) and his immensely popular Verania series (high fantasy with all the gayness and drama). I haven’t read these yet, though they are definitely on my list of books to get to. But his beautiful, gentle, hopeful novel House in the Cerulean Sea will almost certainly remain my eternal favorite. I could rhapsodize about that book for ages, but it would probably be easier to just link to my original review here.

Cat Sebastian, author of many many queer (mostly m/m) romances is an out bi woman. She has a new release, The Perfect Crime of Marion Hayes, featuring an f/m pairing in which both characters are bi. I love that because bi men and women are so often accused of not being queer enough, and of no longer “counting” if they end up a relationship with a person of the opposite (or seemingly-opposite) gender. So I really appreciate that both characters are portrayed as still retaining their identities, as still bi, no matter who they end up with. 

As I said, Cat Sebastian has a very long (frankly intimidating) bibliography, and I have only just started to tackle her backlist, but I absolutely adored a pair of novels about a doctor and a spy in post-WW2 England: Hither, Page and The Missing Page. Hither, Page opens with a doctor, James Sommers who has moved back to his small English village following WW2. He was a promising surgeon, but the war left him scarred and suffering from PTSD he can no longer handle the sight of blood and death. When a house-cleaner, known for snooping on people, dies under suspicious circumstances, spy Leo Page is sent in to find out what really happened. James and Leo end up working together to solve the murder, as they grow increasingly attracted to each. But as Leo starts to put all the pieces together, he fears that solving the murder will destroy any chance of he has of being with James.

This book was both a great murder mystery and an absolutely charming romance, with two main characters with complicated pasts and motivations, a whole cast of fascinating eccentric villagers, and loads of sexual tension. The conclusion is earned and satisfying. And the sequel, The Missing Page adds so much to the characters and their relationship (and another fantastic murder mystery). I’m really hoping Cat Sebastian writes another one, but I’m not holding my breath. It looks like she’s moved on to other projects now. Alas.

A few other queer authors of queer romance include (but is certainly not limited to):

Casey McQuiston: the non-binary writer of the extremely popular Red, White, and Royal Blue (m/m) and One Last Stop (f/f)

E.E. Ottoman: transmasc author of several romances including The Doctor’s Discretion (m/m, also featuring trans characters), The Companion (f/f/m poly romance), and A Matter of Disagreement (m/m)

Alexis Hall: queer (unspecified but definitely queer) male author of quite a few great queer books including Boyfriend Material (m/m), Something Fabulous (m/m), and most recently A Lady for a Duke (transfemme/cis-man) which I haven’t read yet but I’m really hyped for!

One of my current faves is Jordan L. Hawk, author of the Whyborne & Griffin series (and others), but he gets his own post later so I can rant and rave properly!