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Book Review: Last Call at the Nightingale

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(Apologies for the delay!)

I think I’ve said this before, but Katharine Schellman is an absolute delight on social media. She is so kind and generous with her fans. There is, of course, a certain amount of patience and politeness expected from authors when they interact with fans on social media, but that’s not what I mean. I mean she is genuine and kind and friendly and generous with her time. I have had a couple “conversations” with her on twitter, which mostly consisted of me raving about how much I loved her three Lily Adler books (reviews of which can be found here), and her telling me how much she appreciated the support.

Well, during one of these conversations she asked me if I would be interested in an ARC of her next new release book, Last Call at the Nightingale, which is not part of her Lily Adler series but the start of a new mystery series set in the 1920s. Reader, I’m sure you can imagine what my response was!

Of course I jumped at the chance! Mostly because I love absolutely everything she has written so far, and also because I am actually obsessed with the 1920s and love historical fiction set in the 20s. She asked for my mailing address, and I gave it to her, and then a couple weeks ago the ARC arrived in the mail. She even sent a nice little note with it, which I will treasure.

It took some effort to get the quiet time and space needed to sit down and read it. I knew I was going to need a whole free evening because, based on previous experience, a Katharine Schellman novel is a read-in-one-sitting novel. I did that with both books 2 and 3 of the Lily Adler series, and it is clearly going to be the standard for these. Finally, I did find the time, and true to my prediction, I read the entire book in one sitting.

So, here’s my review, lol!

Title: Last Call at the Nightingale
Author: Katharine Schellman
Release Date: 7 June 2022
How I Got It: gift from the author
Rating: 5 out of 5!

Last Call at the Nightingale is a new mystery set in New York in 1924, and follows the misadventures of Vivian Kelly as she stumbles into a murder mystery, gets in over her head, and flirts her way both in and out of trouble. Vivian Kelly and her older, prim-and-proper sister Florence, are both Irish-descent and orphans, and therefore poor, disdained, and in desperate need of any respectability they can muster. But Florence has enough respectability for the both of them, and Vivian much prefers to be the wild child quietly working as a seamstress during the day, while spending her nights dancing with abandon at the Nightingale, the speakeasy that feels more like her home than any other place she has ever been. During one of her many late nights at the Nightingale, Vivian and her best friend Bea, a waitress at the speakeasy, accidentally stumble across a dead body. And not just any dead body – judging from his expensive clothes and the secrecy around his death, this dead body was someone important.

At first, Vivian intends to stay well clear of the trouble. Then, she gets caught up in a raid at the speakeasy. Poor and unwilling to call her sister for help, she is bailed out by the owner of the Nightingale herself: the dangerously alluring Honor Huxley. Honor has a deal for Vivian: in exchange for the bail money, Honor would like Vivian to snoop for her, get in close with anyone who might know about the dead man, and find out who killed him. This will be especially easy for Vivian, Honor claims, because Vivian likes to make friends and knows everyone who frequents the speakeasy, and because Vivian was just that night dancing with one of the men Honor suspects was involved – the charming Leo Green, newly arrived from Chicago.

And so Vivian finds herself questioning maids, sneaking into the offices of wealthy women, being attacked and threatened by brutes, and flirting with the increasingly attractive Leo, all in the name of finding a killer and paying off a debt.

This book was SO MUCH FUN. The 20s New York setting is well executed and believable, details and ambience applied with a deft touch. The smoky speakeasy, the crooked cops, the realities of living as a poor woman in the middle of the glitz and glamor of the Jazz Age. The characters themselves were absolutely the highlight. I adored Vivian – the absolute definition of disaster bi who is constantly being pulled in different directions by her attractions to both Honor and Leo (you and me both, girl!), and her smart mouth that got her in and out of trouble on quite a few occasions. Vivian’s best friend, Bea, was also a highlight – a well-educated black woman working at a speakeasy to support her mother and keep her siblings in school. There was also Danny Chen, a Chinese immigrant who works as Honor’s bartender and second-in-command at the speakeasy.

And then, of course, there were Honor and Leo, the two equally attractive people pulling Vivian in different directions. Honor is dangerous and intelligent and more than a little manipulative and absolutely SEXY. Leo is gentle and charming and honorable, with an aura of safety about it. Like Vivian, I was pretty in love with them both by the end.

I was kind of in love with all of the characters actually. I was live-tweeting a bit while I read the book, and I think some of these tweets are pretty indicative:

On top of all that was the mystery itself. And BOY was it twisty! I thought I had it figured out about halfway through, but I realized I was wrong at about the ¾ mark. Then at about the 80% mark the CHARACTERS think they have it solved, but I KNEW they were wrong – both because it didn’t feel right, and because there were (of course) like 30 or 40 pages left… (lol). When the final pieces came together and Vivian had it all figured out I was shocked. Did not see it coming at all.

Here, my tweets are pretty good gauge there as well:

This novel was HIGHLY enjoyable. I really loved all the principal characters. And I really hope the book does well enough to guarantee a second installment (and hopefully many more of that *fingers crossed*). The book releases on June 7th. The supply chain being what it is, I highly recommend pre-ordering, but alas, I know that is not always possible. In any case, if you enjoy a good twisty mystery novel and historical fiction set in the Jazz Age, you should definitely pick this one up!

Re-Reading The Immortals Quartet by Tamora Pierce

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I recently re-read the entirety of The Immortals Quartet by Tamora Pierce, one of the parts that makes up her massive Tortall universe. I have been a fan of Tamora Pierce’s work since I first read the Magic Circle series (ironically one of only a small number of books NOT in her Tortall series), when I was in middle school. I can’t quite remember when I first picked these up — I’m guessing probably 7th grade, so around 1997.

Of course, after reading and loving the Magic Circle books I went back to pick up her first quartet: Song of the Lioness, which is the first installment in the Tortall universe. And loved those as well. I have since read every single book Tamora Pierce has released. Most of them multiple times. But my favorites have always been, and remain, The Immortals Quartet, the four books that immediately followed Song of the Lioness and really first opened up the setting from that first series into the far reaching universe it is now.

The four books in this quartet consists of: Wild Magic, Wolf-Speaker, Emperor Mage, and Realm of the Gods. It features the main character Daine Sarrasri, a 13 year old girl (in the first book) who discovers that she has a special kind of magic that allows her to speak with animals and understand their thoughts and behaviors from a uniquely insider perspective. She THINKS like “The People” (what animals collectively call themselves). Daine is an orphan, her mother and grandfather murdered by raiders in her small village, and the book opens with her gaining employment with a pony trader named Onua who taking a herd of ponies from Daine’s home country of Galla, to Tortall (where most of Pierce’s books are set). The first book follows Daine as she befriends Onua, the powerful mage Numair Salmalin who becomes her friend and teacher, and a whole bevy of characters in Tortall. In this first book, we also see the emergence of magical beings called Immortals (beings like centaurs and dragons but also horrifying creatures like human-spider hybrids called spidrens and Daine’s nemesis the carrion-eating Stormwings) who, though not gods themselves, were trapped in the realm of the gods by human mages centuries ago but who have mysteriously escaped their confinement.

I originally had the books with these covers, but they were sadly destroyed during flooding from Hurricane Ike in 2008

Throughout the series, Daine gains control of her magical ability and learns not only to speak with animals but actually shapeshift into them. She and her friends discover how the immortals escaped the realm of the gods, and befriend quite a few of the immortals, including a basilisk, a baby dragon that Daine adopts, and (much to Daine’s surprise and chagrin) even a Stormwing. The third book features Daine “losing her temper” (understatement of the decade) which remains one of my favorite parts of the entire series. In the fourth book they must wage full-out war against their enemies (both human and immortal), and Daine learns that her father was a minor hunt-god (which is how she comes by her magical ability), and she and Numair are temporarily trapped in the realm of the gods and must travel the dangerous terrain to return home.

I re-bought the books with these covers a few years ago. I don’t love these designs… I like the originals much better, but what can ya do…?

I love these books for a lot of reasons. Whereas most of the books in the Tortall series deal with lords and kings and knights, this series brings in much more focus on the commoner. Though Daine ends up befriending the king and queen of Tortall, and several nobles and knights (including the most famous lady-knight, Alanna — main character of the Song of the Lioness), Daine herself is a commoner, as is Numair (despite his fame now as a powerful mage), and Daine brings that much needed perspective to all these “fancy folk.”

I also love getting the fascinating perspective of the animals that Daine is friends with. Pierce showcases quite a lot of research (and obviously plenty of imagination) in giving us the inner voices and lives of horses and ponies, wolves, birds, squirrels, and all sorts of other animals. The addition of all the different immortals is a ton of fun as well — I love a big menagerie of magical creatures. I think it was a really nice development as well for Daine (and most of the characters) to assign moral qualities to each species of immortal as a whole, only to then slowly learn that these immortals are just as nuanced, as much a mix of good and bad, as humans themselves are. It was a powerful lesson to learn for the characters, and a nice way to introduce that kind of nuance to the target middle-grade/YA audience (particularly back in the 90s).

Perhaps most of all though, I am a SUCKER for the romance that is laced through the last two books between Daine and Numair. I will admit that this romance would probably not fly if it was written/published today. Daine is 13 and Numair is something like 26 when they meet. They are 16 and ~29 in the fourth book. Such an age gap, when one party is under 18 years old, would send up all kinds of red flags today. And I’ll admit that even just shifting Daine two years forward, so that she’s 18 by the last book, would probably look better on paper.

That said, I believe there’s room to discuss the age issues within their own context. Pierce is writing within the context of a medieval-ish (albeit a fantasy version) world, and it is discussed within the book series that having a girl married at 14 or 15 is perfectly within the realm of possibility and reasonable expectation. We accept this in other contexts — consider, for instance, that in Pride and Prejudice, Lydia is 15 years old when she marries Wickham, which is not only legal but relatively normal at that point in history. In addition, it is made very clear that Numair himself is painfully aware of the age difference, which is why he doesn’t say anything until Daine herself presses the issue. Also: as a kid reading these books, I was also very in love with Numair Salmalin, so I was hardly going to fault Daine for being too young for him. And the way the relationship develops between them over the course of the books, especially the last two, is just so sweet and cute that you can’t help but be enchanted (well, I can’t help it at any rate).

It had been quite a while since the last time I had re-read these books. But I’m finding myself in a major re-reading mood lately — I think because between work-stress and general-state-of-the-world stress, my anxiety has been at record highs and re-reading comfort books is just safer right now. I read each book in about a day, so the whole quartet in less than a week. And I gotta say, I love them just as much now at the age of 36 (nearly 37 – my birthday is in 2 weeks, fun fact!), as I did when I was 12. Some books never lose their enchantment and joy, no matter how old you get, or how many times you read them. This series is clearly one of them, for me at least.

3 Charming Graphic Novels by Ethan M. Aldridge

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[Note: apologies for the delay on posting this review! I had it mostly written well in advance, but then I forgot to finish cleaning it up and adding images and getting it scheduled to post on Saturday as usual. *sigh*]

For a change of pace, I thought I’d talk a bit about a few graphic novels I’ve read in the last few months. I’ve been following this artist/comics illustrator on Twitter named Ethan M. Aldridge (@ethanmaldridge) for AGES. I really love his style — all hand-drawn line art and watercolor with this really great dreamy quality to it.

He sells prints online, and I’ve been meaning to grab a few but funds are tight so I have to keep frivolous purchases to a minimum. But I did finally grab his first two graphic novels last autumn: Estranged, and Estranged: The Changeling King. And I loved those so much I went ahead and pre-ordered his most recent publication, the new graphic novel The Legend of Brightblade.

Title: Estranged, & Estranged: The Changeling King
Author: Ethan M. Aldridge
Release Dates: 2018, 2019
How I Got Them: bought them from my local comic shop
Rating: 5 out of 5 stars

In Estranged Vol 1, the main characters are Edmund and The Childe — Edmund is a changeling, a magical being sent to replace a human infant by his biological mother, the Queen of the Fae. Edmund knows what he is, that he is not human, but he has long kept that secret from his human parents and older sister for fear of their reaction. He desperately wants to keep the secret safe, but also he wants to know why his biological parents sent him away in the first place. The Childe is the human that Edmund was sent to replace, who has been living among the Fae all his life as a kind of foster-son/pet for the royal family. He has spent his life trying his best to earn the respect and affection of the Fae, but they largely dismiss him as just a cute, powerless oddity.

When the King and Queen of the Fae are attacked and overthrown by a powerful sorceress named Hawthorne, The Childe escapes to the surface world of the humans and, with his companion the wax golem Wick, enlists the help of Edmund and his/their sister Alexis. They must work together to struggle past the complexities of their shared families and destinies, and save the fae kingdom of the World Below from Hawthorne.

Estranged Vol 2: The Changeling King, brings us back months later, with The Childe and Edmund switching back to their original worlds after the end of the previous volume. The Childe has now reclaimed his name, Edmund. And the changeling once known as Edmund is now called Cinder. Cinder has become the new king of the World Below, but when the magic begins to drain from their world, Cinder returns to his adoptive family for help. Together, Cinder, Edmund, and their sister Alexis — as well as Cinder/Edmund’s very confused human parents — must travel through the labyrinthine World Below to fight enemies old and new, and find a way to restore magic to the kingdom.

These two graphic novels are so wonderful. The relationship that develops between the three “siblings” – Cinder, Edmund, and Alexis — is truly delightful and one of my favorite things. I particularly love Alexis: she loves both the brother she was raised with and the biological one she comes to know over the course of Vol 1. She is protective, caring, and kick-ass (and she starts to learn some magic in the 2nd volume, which is awesome!). The art style remains beautiful throughout, and the creativity of some of the fae creature designs are very cool. I also really love the ending of Vol 2 (I’m not giving it away! You’ll have to read to find out!). I’m really hoping Aldridge writes a third volume, but there’s been no news on that yet.

Title: The Legend of Brightblade
Author: Ethan M. Aldridge
Release Date: March 2022
How I Got It: ordered online
Rating: 5 out of 5 stars

Ethan M. Aldridge’s newest graphic novel, The Legend of Brightblade, is not in the same universe as the two Estranged graphic novels. It takes place in a high fantasy realm, clearly inspired by Dungeons and Dragons aesthetics, and features a team of adventuring bards. This graphic novel opens with a little backstory: the hero Brightblade and her two companions saved the land from a highly powerful dragon, bringing about a new era of peace. Years later, Brightblade is the ruler of the land, attempting to forge a treaty with the trolls with whom they have long feuded. Brightblade has three children: two daughters and a son, whom she expects to fulfill their roles as rulers and peacemakers, but the son, Prince Alto wants nothing more than to be a bard and go on adventures.

So, he runs away. With little knowledge of the outside world and only his instrument and the magic he can control by playing, he dashes off and forms his own little troupe with two other misfit bards: a self-taught troll bard, and an apprentice blacksmith who would much rather play her violin. These three intrepid bards run into trouble, accidentally uncover a plot to sew chaos at the human-troll treaty-signing, and discover that their misfit natures are precisely what they need to win.

Like the two Estranged graphic novels, The Legend of Brightblade is hand-drawn and watercolor, in a beautiful fairy-tale-like style that I just can’t stop raving about. All of these graphic novels are technically middle-grade, and though they are not (for the most part) explicitly queer, they have that feeling. If that makes sense. All three graphic novels have similar themes threaded through them as well: issues of family obligation versus personal goals and desires, featuring characters who are all trying to find their own identities and be true to themselves. Each one is a quick read, great for a nice relaxing afternoon with a cup of tea. They are utterly delightful and light-hearted and fun, all about finding yourself and forging your own path. They make me smile, and I highly recommend all three!

Double-Review: Lily Adler Mysteries 2-3

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Back in March 2020, right at the beginning of the pandemic, I read an ARC for Katharine Schellman’s debut novel and the first of the Lily Adler Mysteries: The Body in the Garden. I devoured it in 3 days. And it was a revelation for me for a couple reasons. First, I just love a good historical mystery, and this was a very good historical mystery novel. Second, I’d been dealing with an inability to read for going on 5 or 6 years in 2020 due to extremely severe depression. While the cloud had been starting to lift in mid-2019, and my brain was finally starting to reanimate a bit, reading (except for audiobooks, which had literally saved my life from about 2014-onward) was still proving almost-impossible. And then I read The Body in the Garden, and it was like a strong wind blowing the clouds away to reveal clear skies. It was like the floodgates opening wide.

I don’t know if it was just a matter of good timing, and that my brain was just about ready to open up again anyway. I don’t know that another book might not have had the same effect. Frankly, it doesn’t really matter. Lily Adler is forever cemented in my mind as an integral element of my ongoing recovery. (It’s also just a really really good book).

So, of course, when the second installment, Silence in the Library, released in August 2021, I leapt for it. And I read it in a single night, in a single sitting in fact. And then I got my hands on an ARC of the third book about a month ago (and read that book in one sitting as well).

So, I thought I would do a double-review of books two and three as I continue to try and convince everyone I know to buy and read these books. My review for the first book can be found here: “Book Review: The Body in the Garden.”

Title: Silence in the Library
Author: Katharine Schellman
Release Date: August 2021
How I Got It: bought from indie mystery bookstore, Murder by the Book
Rating: Five Stars

Let’s begin with the basic plot premise. Silence in the Library opens a few months after the events of the first novel, with Lily having to face possibly her most difficult challenge: dealing with a visit from her father. When Lily’s father demands that she pay a visit to one of his oldest friends, who has recently re-married, the visit quickly goes to hell when the husband is murdered, leaving the new bride in hysterics and the dead man’s adult son (from a previous marriage) the most likely suspect. Add in a shifty cousin who may or may not have been in need of more money, a maid who is murdered before she can tell Lily something she knew, and Lily’s father hindering her at every turn, things get wildly out of hand.

What the first book did well, the second book built upon beautifully. The writing is crisp, the research and historical context impeccable, the mystery compelling, and the characters charming. The core mystery of the novel is clever and twisty, though I confess I like to make a game of seeing if I can solve the mystery before the characters (my mother and I also compete like this when watching murder mystery tv shows – of which we watch a lot), and I succeeded this time. Clearly, I can’t spell it out here without giving everything away, but I told my mother my theory well in advance and was right.

The main character, Lily Adler, is a brilliant, stubborn, somewhat reckless woman, and I love her. I want to be her when I grow up (yes, I am grown up, I am almost 37, but shush, let me have this). In the first book, we see her shaking off the paralysis of her widowhood, and in the second book we see her really stepping into this role she has chosen for herself.

But, of course, there is also the complication of her emotionally-cold, judgmental, domineering father, who has arrived to disapprove of everything she does. Her father’s awful treatment and verbal lashings seem to shake Lily on a few occasions, and she has to fight off the knee-jerk reaction to revert to her more timid childhood-self. Watching the ways Lily alternately defies and bends to her father’s moods is highly relatable (at least to those of us who have parents with… shall we say, powerful personalities?) and deeply inspiring.

The characters I adored in the first book: Captain Jack Hartley, Ofelia, and the Bowstreet Runner Simon Page are all in attendance for the second book. The Captain is as witty and charming and protective of Lily as he was in the first book (and may possibly be developing less-than-platonic feelings for his best friend’s widow). Ofelia, now happily married, continues to be a supportive both as a friend and as a cohort in Lily’s mystery-solving pursuits. And Simon Page, who started out by resenting Lily, has developed a begrudging respect and appreciate for Lily and her skills.

In the middle of the plot-madness, Lily is faced with several red herrings, and a very handsome and charming former soldier that she must (clumsily) attempt to flirt with for information. We also get a glimpse into Simon Page’s personal life and a few scenes from his perspective — something I had not even realized I needed until I had it. (I already respected Simon Page, now I really love him).

Throughout the novel are several disabled and neurodivergent characters of different backgrounds and abilities who are all written with complexity and empathy, and not painted with broad strokes and stereotypes. There are, of course, instances of these characters being treated with derision and cruelty in sadly-historically-accurate ways, but at no point does the text (or the main characters) excuse or condone this behavior, and the perpetrators face consequences for their bigotry.

Just as in the first novel, one of the best parts is the dialogue, which is at turns sharp, warm, and downright hilarious at some points. Lily, Captain Jack Hartley, and Ofelia in particular, all play off each other so well with their differing flavors of sarcasm, dry wit, and gentle teasing. (I continue to adore Jack Hartley.)

And the ending is satisfying while also packing a potent emotional punch.

Title: Death at the Manor
Author: Katharine Schellman
Release Date: 9 August 2022
How I Got It: ARC provided by publisher
Rating: 4.5 Stars

In the third book of the Lily Adler Mysteries series, we go farther afield as Lily Adler leaves London for a few months visiting friends and family in the country. The novel deftly shifts tone in an homage to Regency-era Gothic Literature (think Castle of Otranto or The Woman in White), as Lily must confront a supposedly-haunted country estate in the village where her aunt lives, and attempts to solve a murder that everyone else is content to attribute to a ghost.

In this installment, after Captain Jack Hartley leaves to return to his ship (having been stuck on land for so long due to extended repairs), Lily leaves London to visit her aunt in a small village in the country, bringing her Ofelia and Ofelia’s (ridiculously sweet) husband Ned along with her. Her aunt and her aunt’s friend/companion have been living as two “respectable unmarried women” in a small cottage for decades, and are the only family Lily actually likes. But once there, Lily and her friends accidentally find themselves entangled in yet another murder. While touring a nearby manor to hear about the rumors of a ghost haunting the estate, the Lady of the manor is discovered dead in her locked bedroom, with only her two adult children and four servants (the others having left because of the ghost) as the possible suspects.

At first determined to leave the matter to the authorities, Lily quickly changes her mind when the local authorities admit defeat in the face of the locked door, and accept that the purported ghost must be the cause of death. So Lily and Ofelia, with the grudging assistance of Ned and Lily’s aunt, decide to the solve the murder themselves. An added complication comes from the fact that the charming widowed soldier from the previous book, the ever-attractive Matthew Spencer, happens to live in the same village, and offers his assistance as well, much to Ofelia’s consternation.

The mystery of this installment was especially fun for me because I love a good locked-room mystery, and this one is very well done. The characters run through every possible suspect with increasing confusion and uncertain, and it is a ton of fun to watch the whole thing unfold and try to play along. (I guessed right, again, by the way, but it took me longer than usual and I wasn’t too far ahead of Lily figuring it out lol).

The nods to the gothic genre were also a ton of fun (particularly because as an English Lit grad school I read and studied Regency and Victorian era gothic novels and love them anyway!) I mean, who doesn’t love ghost stories, and creepy dark hallways and billowy white curtains and ominous men standing in shadows and secret passages?

Like Silence in the Library, Death at the Manor gives us an opportunity to see and learn more about different characters. This time we get some concentrated attention paid to Ofelia and her husband Ned, both of whom I adore. We also see a lot more of the charming widower Matthew Spencer. And Lily’s aunt and her aunt’s friend were both delightful as well. (There’s some queer rep in there as well, but spoilers!)

I did, however, feel that the story misses Jack (just as the characters do). When I was starting to read the book, I announced on twitter that if Jack did not make some dramatic mid-book return I was going to be distraught. And reader: I was distraught. For one thing, I simply love that character. For another, he adds so much humor and snark to the dialogue, and does such a good job of keeping Lily on her toes (while Ofelia keeps him on his, lol). That said, I still read the entire book in one setting and loved it and have no real complaints. (The 4.5 stars rating is an only semi-serious, kinda-joking protest on Jack’s behalf.) I also missed Simon Page, who likewise does not make an appearance in this installment.

When I was lamenting the loss of Jack on Twitter, the author, Katharine Schellman, kindly assured me he would return in the next one. Thank goodness. (By the way, Katharine Schellman is an absolute delight on social media as well. She is so kind and generous and friendly with her fans/followers, which is by no means required.) We also know that she has been contracted for a 4th and 5th book (at minimum, I hope), but that they won’t be out for some time.

The worst part about reading arcs far ahead of release date, especially for books in a series, is that you have ALL THAT MUCH LONGER to wait for the next one. Le Sigh. I suppose I’ll probably just re-read all three books at some point this summer…

Book Review: Nettle & Bone

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Title: Nettle & Bone
Author: T. Kingfisher
Release Date: 26 April 2022
How I Got It: received an ARC from publisher
Stars: 5 out of 5 (maybe 6 out of 5, I can do that, right? I mean, it’s my blog)

Today’s book review is for a book that is a currently the top contender for my favorite new release book of the year (obviously, its plenty early still, but…). Ursula Vernon, publishing under the pen name T. Kingfisher, has written quite a few very popular, well-received, and award-winning novels (her recent middle-grade novel A Wizard’s Guide to Defensive Baking won several awards including the Locus, the Nebula, and the Mythopoeic Awards), so I knew she would be good. But I hadn’t yet read any of her works before I received the ARC for this one, Nettle & Bone.

Nettle & Bone is a dark fairy tale for adults, that borrows heavily from a myriad of fairy tale traditions and features many of the elements we would expect such as: princesses, damsels-in-distress, princes, knights, witches, fairy godmothers, curses, impossible tasks, and plenty of magic. Yet Kingfisher takes these familiar well-worn tropes, and twists them into new shapes and puts them to new purposes. The result is a story that feels both familiar and brand new, both magical and horrific.

The main character is Marra, a princess and third daughter of the royal family. When Marra is a child, her eldest sister is married off to a prince in a political marriage meant to protect their tiny harbor kingdom from the two much larger, more powerful kingdoms on either border. Then, when that eldest sister dies during an accident only a year later, Marra’s second sister is married to the same prince, for the same goals. At that point, Marra is shipped off to a convent — ostensibly for her protection, but really because the prince fears she may marry and have an heir before HE does. There, Marra is raised as an “almost-not-quite” nun for the next fifteen years, learning embroidery, gardening, and midwifery and living a peaceful if isolated life.

Everything Marra thinks she knows about life comes crashing down around her ears when, at the age of thirty, she finally comes to understand the truth about her sisters: the prince is evil and abusive and brutal,Marra’s eldest sister was beaten to death in a rage, and the middle sister, Kania, is in danger of the same fate. The only thing that has saved Kania’s life so far is her constant pregnancies, which keep ending in miscarriage, but during which the prince controls his more violent tendencies in hopes of producing an heir. When Marra finally understands the full extent of her sister’s predicament, she comes to a decision: the prince must die.

Thus begins an epic quest, during which Marra finds a wise and powerful grave-witch called the dust-wife (who’s familiar is a chicken possessed by a demon) who gives her three impossible tasks. In her quest, she also collects the loyalest and bestest of dogs, a disgraced knight, and her mediocre fairy godmother. Together, they set out to defy the roles prescribed to them, face a powerful magic that protects the prince, and endeavor to do the truly impossible: kill an evil prince and come out the other side alive.

Lyrical, dream-like, and sharp as a razor, this novel will cut through you with its heartbreak, beauty, wisdom, and hope. It asks the reader to consider how far one is willing to go for family and duty, what the difference is between justice and revenge, and what to do when the thing you hate most about yourself is precisely the thing that is needed. 

Marra is one of those characters that will stick with you long after you finish reading. She considers herself simple and not particularly intelligent or useful, and yet she is resourceful and brave and stubborn. Her determination and her rage are palpable. I simply adored her. I also really loved the other members of her ragtag team of ersatz assassins, particularly the dust-wife and her demon chicken.

The novel also features some of the best sentences I’ve read in quite a long time, including an opening-line that shot through me like an arrow. When I started reading this ARC, I opened the ebook, read the first line and STOPPED. And just sat there for a minute. And then I texted the first line to my best friend in a frenzy. Here, let me show you:

“The trees were full of crows and the woods were full of madmen. The pit was full of bones and her hands were full of wires.”

If that doesn’t stop you in your tracks like a lightning bolt, I just don’t know what to say to you.

Here are a couple of other lines that struck me like lightning as well:

“He isn’t my prince,” Marra said acidly.
“If you plan to kill him, he is. Your victim. Your prince. All the same. You sink a knife in someone’s guts, you’re bound to them in that moment. Watch a murderer go through the world and you’ll see all his victims trailing behind him on black cords, shades of ghosts waiting for their chance.”

And:

“Lots of people deserve to die,” said the dust-wife finally, “not everybody deserves to be a killer.”

I mean, OOF! Here’s another:

“She had the ruined fragment of the godmother’s tapestry, but unless it started glowing or talking, it didn’t seem like it was going to do any good. Another of life’s little intelligence tests, and as usual, Marra had failed to even learn the question.”

And just one more (sorry, these just PIERCE ME):

“Agnes wiped her eyes. “Dammit,” she whispered. “I have to go be impressive. I have to go be the wicked godmother. I can’t cry.”
“She’s at peace now,” said Fenris.
Agnes gave him an ironic glance. “She’s been at peace for centuries, I think. I still get to cry about it.”

WORDS OF WISDOM MY FRIENDS.

Ok, I won’t bombard you with anymore quotes, I think you all get the point. This book is filled with such amazing lines at turn poetic, pithy, and fucking brilliant. I absolutely devoured this book. It is very likely going to stay at the top of my fave reads of the year list for quite awhile at least. Everyone needs to buy and read it and be likewise amazed and flummoxed.

[CW: domestic/spousal abuse, violence, a semi-graphic description of magical teeth-pulling, and vague mentions of cannibalism; also, for those who need to know about the pets: the dog survives]

Book Review: A River Enchanted

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Title: A River Enchanted
Author: Rebecca Ross
Release Date: 2 February 2022
How I Got It: received an ARC through work
Stars: 5 out of 5

Let me just say that the somewhat lackluster cover does not do justice to the story it contains…

Rebecca Ross, author of several popular YA novels such as Sisters of Sword & Song, and Dreams Lie Beneath (among others), gives us her first adult fantasy novel here with A River Enchanted. This novel is the first in a duology (no word yet on when precisely the sequel will be released but to be fair, this did JUST come out), and is inspired by Gaelic/Scottish folklore. It is a beautiful, lyrical novel set on a magical island (that I imagine looks a little like the Hebrides, or the Isle of Skye) that reads like a grown-up fairy tale.

The Hebrides, an archipelago of Scotland

In this story, a young man named Jack Tamerlaine, who was banished from the island a decade before and stayed on the mainland to train as a bard, is summoned home from his position teaching at a university. Despite his resentments and misgivings, he answers the call because his Laird (leader of his clan) claims to need him. However, when he arrives home, on the magical island called Cadence, he discovers two things: the first is that despite the deep hurts the island’s people had caused him, it still feels irrevocably like HOME, and the second is that things are far more dire than he could have guessed.

The daughter and heiress of the clan Laird, Adaira, is actually the one who secretly called Jack home. A fact that infuriates Jack, as Adaira was his rival and tormentor as a child. But Jack is forced to listen when she explains that young girls are disappearing from their families without trace or explanation, and she has called him home to fulfill his role as bard and help her uncover the mysteries of the island that might help them recover the missing girls. In their clan, the bard of the clan is a both a political and magical role, and only he has the skill to do what is required — calling up the magical spirits of the island to demand answers. To complicate matters, no one is sure of the missing girls are the result of spirits gone violent, or the clan on the other side of the island, with whom the Tamerlaine’s have had a deadly feud for generations.

Over the course of their investigation, Jack and Adaira must confront their past history together. As they face down the powerful spirits of the island, they unravel secrets buried deep in their pasts — secrets that will change everything they thought they knew about their clan and themselves. And in the process they will also confront their own feelings, and develop a bond neither of them could have ever predicted.

Beyond the two (very interesting and entertaining) main characters, there are a handful of other characters who receive a lot of “screen time” and attention, and whose complexities bring so much depth to the story as a whole. There is Adaira’s cousin, the captain of the guard, who is burdened by hate and shame. And there is the captain’s second wife, who loves him but is afraid he only married her as a caretaker for his daughter from his first marriage. And there is Jack’s little sister, who he did not know existed until his return to the island, and who immediately becomes his greatest source of love and anxiety (for fear that she will vanish like the other girls have). And Jack’s mother, who possesses a magic that allows her to weave secrets into cloth, and who possesses a dire secret of her own.

There’s a lot to love about this book. It will be a treat for anyone who enjoys Scottish-infused fantasy, and loves a fast-paced adventure story. It also features a compelling rivals-to-lovers romance subplot, which is always a delight. Particularly because Ross does such a great job conveying the hidden depths of emotion in both Jack and Adaira long before either one of them are willing to admit to themselves. Both characters are intelligent and stubborn and loyal, and when they finally start getting on the same page it is an absolute joy to read/witness.

Perhaps even more than the love story, however, I appreciated the underlying themes about the power of music — as something that binds communities, and both hides and speaks truths, and as a kind of magic all to itself. Anyone who is a musician, or really loves music, will feel these ideas deeply.

At its heart of hearts, though, this is a story about secrets: secrets that bind people together, and tear them apart; secrets that weigh down a soul and a community. And about sacrifices: the sacrifices one is willing to make for power, and the sacrifices one is willing to make for love, all kinds of love that can save not only individuals but whole communities.

Just be prepared for a less-than-happy ending, which will hopefully (*fingers crossed*) come out alright in the sequel.

Though I have a long way to go, and many many books to read between now and the end of the year, I wouldn’t be surprised if this book ends up in my Top 5 favorite reads for 2022. Just saying.

Once More With Feeling

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Please tell me you get this reference? Don’t make me feel old…

I keep trying to do this, and I keep failing, but here we go again. One last time. I swear, if I fail to keep up with the blog this time, I should probably just wave the white flag.

The problem is that the amount of free time I have is very limited (between work, family obligations, and all those stupid grown-up things like house-cleaning and grocery shopping), and I have a LOT of hobbies. I have so far been unable to find a balance that allows me to fit the maximum number of hobbies into my very limited store of free time.

But of course, my main goal has been to write more. If I have only one or two hours of free time all week, and I want to write, I am going to choose fiction writing over blog writing. Just a fact of life. And that actually WORKED(!) for me last year. I wrote more in 2021 than I have ever written in a single year in my life. Over 200,000 words! I finished the first draft of one novel I started in Nov 2020, wrote the entire first draft of a novella, and then about ¾ of the first draft of ANOTHER novel in the second half of the year. So, writing has been going SHOCKINGLY well lately (*knock on wood*) (well, I say that, it HAD been going well until December and I haven’t been able to get back into it the last couple months), and I don’t want to mess that up.

That said, I also read a lot. And I do want to share what I read, and write reviews, and promote the books and authors I really love. I talk a lot about the books I’ve been reading on Twitter, but it’s not the same as writing a full review, and I know it. I want to do that for the authors I think deserve more attention. It’s just so hard to find the time! And yes, I know I could post reviews on Goodreads. But the amount of time it takes to write a semi-decent review is going to be the same whether I post it here or on Goodreads, and frankly, I don’t LIKE Goodreads, so…

In any case, I’d like to try again. I want to make this work. So, here’s my plan. I am going to try to give myself a strict schedule, and block out time specifically for blog writing/posting once a week. And I am going to wait to start posting until I have a few pre-written and ready to go to give myself a bit of a buffer (for instance, I’m writing this in mid-February but I probably won’t post it until I’m ready to get the weekly-schedule going). And am I going to try to keep myself to a weekly post schedule… I’m thinking every Saturday evening, for the moment.

Alright alright alright!

Not every post will be a book review, of course. You’ll notice from my old posts that I did sometimes talk about other things, that will no doubt remain true. But I will be focusing most of my energy on book reviews, both of books I read last year and kept MEANING to review, and of books I’m reading this year. And I suppose… (*grumble grumble grumble*) I could maybe possibly make a new Goodreads account and cross-post reviews there. Maybe. I don’t know. I just don’t like Goodreads interface, or the attitudes of some of the readers/reviewers there, or the weird amount of power Goodreads has acquired over authors… Anyway… not my point, moving on.

So, I guess if I have any readers left (not likely, I realize, but one never knows…), this is your heads-up to start expecting posts from me again.

Book Review: A Confusion of Princes

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I apologize for the long absence! The last couple months have been…. well, they’ve been a THING. But, I have read a good number of books in the past few weeks that I keep meaning to write reviews for, so hopefully I will have plenty of things to say in the next few weeks (provided I can find the time and energy to get them written up). Some of the book reviews to expect include: Gideon the Ninth (I know I know it took me long enough!), Peaces by Helen Oyoyemi, An Easy Death by Charlaine Harris, and a couple upcoming ARCs. But first! We have a book that’s been out quite awhile that I just now got around to: A Confusion of Princes by Garth Nix.

Title: A Confusion of Princes
Author: Garth Nix
Release Date: 2021
Source: owned
Stars: 2.5 out or 5

Anyone who knows me, knows that I love Garth Nix. I first fell in love with his work with Sabriel, and the rest of the Old Kingdom series, but I also own quite a few of his other works including Shade’s Children, Angel Mage, The Left-handed Booksellers of London (his newest book, which I haven’t read yet but is on the list for this year) and a bunch of his short stories. I have been meaning to read this one, A Confusion of Princes, for ages but just never got around to it. But for my 2021 Reading Challenge, this book fit the Space Opera category, and I needed a break from some of the longer/darker books I’d been reading, so I figured now was a good time.

A Confusion of Princes is a bit of a departure for Garth Nix. For one thing, its science fiction rather than fantasy (Shade’s Children is also science fiction, but it’s still not his usual fare). For another thing, the main character is a teenage boy (most, though not all, of Nix’s books tend to feature girls as the main character). It’s also a space opera, which I love, and which is not all that common in the realm of Young Adult fiction.

The basic premise is this: the main character is a young man named Khemri, a prince among hundreds of thousands of princes in an enormous intergalactic empire. The emperor rules the empire by means of the Imperial Mind, a psychic connection to the hundreds of thousands of princes, through which the Emperor makes their will known. The princes themselves (who are all called princes but can be any gender) are not from a hereditary line, but are rather chosen as young children from among the general population, and then genetically and technologically modified and trained to fulfill their roles. And for the most part the Imperial Mind leaves them to their own devices, so long as they adhere to certain rules, and they, therefore, run amok across the universe, commandeering whatever resources they desire and feuding with each other. What makes these princes even more powerful, however, is that they cannot die — or rather, they do not STAY dead: whenever they die (provided they have remained in the good graces of the Emperor) the Imperial Mind downloads their consciousness into a new body, exactly the same as the previous one.

Prince Khemri has just graduated from his training and is ready to take his place as a full prince within the empire at the opening of the novel. He is naive and arrogant and believes himself above all normal humans and all other princes. He is absolutely certain that he will be chosen as the next emperor when the current Emperor abdicates the throne as expected every 20 years. As he leaves the safety of his training ground and is sent to join the Navy, a common proving ground for new young princes, he quickly discovers that nothing is as he imagined it, the princes are often more like glorified pawns for the Imperial Mind, and someone or something has secret plans for him personally.

If I go much further into the plot than that, I will start to risk any number of spoilers, so we’ll see how well I can dance around them.

Here’s the thing: I tried to like this book. I really REALLY tried to like this book. And I did finish it, so I didn’t HATE it. BUT I nearly gave up and DNF’d it at about the halfway point because I just wasn’t FEELING it. The premise is absolutely fascinating to me, and while the writing is not Nix’s BEST, it’s hardly BAD. And yet… I think I can boil it down to two main problems, for me at least. 

First, the plot felt like there was both too little and too much happening in a relatively short novel. In quick succession we move from Khemri’s intro and training, to his appointment to the Navy and year spent there, to his re-assignment to a secret installation where he trains for several months more (which takes like two chapters?), to being sent on another secret assignment that takes like half a year, to a big event at the Emperor’s main… not sure what to call it, headquarters? Home world? Whatever… and then the final big test/battle thing. A lot happens. Khemri get shuffled around a lot. And yet at the same time there were big sections of the book where I was just kind of bored. I felt that a lot of what happened would have been far more interesting if it had a) been more fleshed out, and b) probably written for an adult audience rather than a YA. And I realize that’s something of a controversial statement, but I have nothing against YA. I read plenty of YA. All of Garth Nix’s other works are YA and I have never had a problem with them before. I just didn’t feel that this particular plot/premise really WORKED as a YA. If it had been written in a more adult style/aesthetic, with a bit less “teenage ridiculousness” and a bit more realism and acknowledgement of the complexities involved, I think it would have been far better. To me it seemed like each of those different sections could almost have been their own “season” of a tv series, for instance.

The second problem for me was Khemri himself. I just could NOT like him. Now, I’m not saying every character needs to be “likable” by which most people mean: I would like this person and be friends with them if I knew them in real life. No. I have no problem with complicated, “unlikable,” amoral, main characters. But if you have a main character through which the entire story is seen/told, particularly in first-person as this one is, the main character has to be at least be TOLERABLE, right? But he just ANNOYED me. He was arrogant, he was whiny, he was insufferable. To be clear, these were obviously all conscious choices for the story, and part of the POINT of the story was to witness his transformation. Essentially, Khemri spends the majority of the novel learning to be HUMAN. I get that. That can make for interesting character development. But this time it just didn’t work for me. He was still just ANNOYING. I wanted to smack him through most of the book. And again, I think if this had been a longer adult novel, with more time spent acknowledging and wrestling with the complexities of the character and the imperialistic system that produced him, it might have worked better. But alas, I did not get that.

One last critique is the ending: I could tell about a third of the way through the novel that it was going to end one of only two ways. There were two very obvious options, and only two. And right on cue, one of those endings peaked around a corner before being like “no, just kidding, it’s the OTHER ending!” It wasn’t a BAD ending. Just very very obvious. And it felt a tad un-earned. For the same reasons stated above, pretty much.

If you are a completist who must read every book by a beloved author (as I often am), then by all means go try it! Maybe the main character will not annoy you as much as he annoyed me. But if you are just looking to try something by Garth Nix, please please please for all that is holy, go read The Old Kingdom series instead! They are beautiful and astounding and complex and wonderful! But every respected author with a lengthy oeuvre is due at least one or two misses, and this might be Nix’s.

Book Review: Save Yourself

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Title: Save Yourself
Author: Cameron Esposito
Release date: March 2020
Source: bought audiobook copy
Rating: 5 out of 5 stars

Save Yourself is a memoir by stand-up comedian Cameron Esposito that I bought on audiobook last March, and then never got around to reading/listening to. The minute I saw the description I knew it would be up my alley though. Cameron Esposito is a “masculine of center” lesbian comedian who was raised in a very devout Italian Catholic family and wanted to be a priest when she was younger. The memoir deals with her childhood not understanding her own sexuality because of the stigma around homosexuality and gender conformity in her family and church, and with her life through college and early in her career as she finally comes to terms with her sexuality and (mostly?) loses her religion.

As a bisexual woman from a devout Cajun Catholic family who didn’t even consider the fact that I might be anything other than straight until I was 20 years old, and didn’t come out until I was 30, I identified VERY strongly with the subject matter. Add to that, the fact that (as I mentioned in a previous book review) I was pretty damn sure I was to become a nun until I was 15 or 16 years old, and then proceeded to become more and more disillusioned and disconnected from the catholic church at just about the same time (and for many of the same reasons) as Cameron Esposito, and well… this book was pretty much written for me.

This is not a long book. I think the audiobook was about 7 hrs long, so if you were reading it in print at a medium pace, you could probably finish it around 4 or 5 hours. I finished it in about a day and half, listening while I was at work. I laughed through pretty much the whole thing. Cameron Esposito’s writing is absolutely hilarious, and the fact that she narrates the audiobook herself helps immensely with the delivery of certain lines and jokes. She is honest and blunt about herself, her family, and her relationships. She talks about place of upper-middle-class white christian privilege she came from as a child, the terrifying experience of discovering your own sexuality and coming out while attending the extremely-NON-gay-friendly Boston College, the rejection of her father who took years to accept her as a gay woman, her very problematic relationships (including being a victim of date rape, and admitting to cheating on several girlfriends), and yet she makes all of these very serious subjects human, relatable, and funny as hell.

(Side note: the cheating stories were particularly difficult for me to sit through because I absolutely cannot abide cheating. I know it happens, I know plenty of otherwise very good people have done it, I know we’re all human and flawed and all that… but I am very sensitive to stories about cheating, so I squirmed through those bits pretty uncomfortably.)

Thankfully, not all the stories she writes about are serious topics. Some of them are downright delightful: like making her from wanting to be a priest, to studying social work, to getting hired to several improv groups with shocking ease, and finally ending up in stand-up comedy; or (my favorite) joining a small alt-indie circus for a summer!

All in all, this was a delightful, funny memoir from a person I could identify with quite a lot (I’m not particularly butch or “masculine of center” as she describes herself, but that was one of a very small number of major differences). The writing is sharp and witty and deeply human. Her narration is perfect (not surprisingly, since that’s kind of what stand-up comedy is anyway). And it was a really fun way to spend a couple afternoons at work.

Book Review: The Councillor

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Title: The Councillor
Author: E.J. Beaton
Release Date: 2 March 2021
Source: ARC provided by publisher
Rating: 5 out of 5 stars

I had meant to get this review written and posted nearly a week ago, but alas, life… But anyway, here we go, and OH BOY, folks! I am so excited about this new release novel! It is already a strong contender for my favorite book of the year! (Yes, I know, it’s only January and I have a lot of books to read this year, but it’ll definitely be making the shortlist at least!) The Councillor is from debut author E.J. Beaton. It’s being marketed by the publisher as “machiavellian fantasy” which is a very good description actually. It is political intrigue fantasy at its best; it gives Game of Thrones a run for its money. This debut author is arriving on the science fiction/fantasy with a bang, and we love to see it! They pack more world-building and suspense into this book than you could possibly hope for, and it’s fantastic!

So here’s the basic premise: the story takes place in a country that seems somewhat vaguely inspired by medieval Italy called Elira, where Queen Sarelin Bray rules over a country that is separated into five city-states (Axium, Rhime, Valderos, Pyrrha, and Lyria), each with its own city-ruler. The country is in a state of uneasy peace, some twenty years after an enormous war against the White Queen, leader of a group of people with magical abilities called Elementals. Having defeated the White Queen, Sarelin made Elementals illegal and routinely executes them; people are not even allowed to speak of them. Our main character is Lysande, an orphan, a scholar, and the handpicked protege of the warrior-queen Sarelin. When Sarelin is assassinated leaving no heirs, an ancient tradition dictates that the queen’s appointed Councillor choose a new king or queen from among the city-rulers.  When Lysande, a commoner rather than nobility, is shockingly assigned the role of Councillor, and given the task of choosing a new ruler from among the nobility of the surrounding city-states, she is thrust into a world of political machinations, alliances, betrayals, and death she feels woefully unprepared for. Add in the fact that the White Queen, long-thought dead, may be returning to conquer the realm, and Lysande’s secret drug addiction, and it seems things could not get more complicated. Until they do. 

This novel delights in thwarting reader expectations, seeming to be one kind of story before transforming into another about a third of the way through. You go in thinking the whole plot will be about Lysande trying to decide who is the best ruler from among the city-rulers, but then it flips on its head and becomes another thing entirely. There is a large cast of characters, each with distinct developed and fascinating personalities and motives. The various city-rulers are all amazing in different ways, and the various people who support Lysande throughout the story are complex and fantastic! 

Lysander herself is wonderfully complex and flawed. She worships the memory of Sarelin and must struggle with the fact that her glorious queen’s treatment of Elementals was oppressive, cruel, and unjust. She has developed a growing addiction to an illegal drug made from chimera scales, a drug that keeps her calm and numb and helps her deal with the stress (and downright terror) of being the Councillor, but is having increasingly painful side-effects. She, like the readers, cannot determine who is to be trusted in the labyrinthine machinations of court politics and continuously trips up as she tries to navigate the diplomacy necessary. She also begins to grow a taste for the power that comes with her new position. At the same time, however, she is brilliant and studious and brave, and desperately wants to do the right thing both for herself and for the entire population of the country she loves. In addition to all of this, Lysande is like the DEFINITION of “disaster bi,” and she harbors long suppressed BDSM leanings that slowly emerge in various relationships throughout the novel. She has several different possible love-interests over the course of the novel, and there are a handful of sex scenes, though they are not explicit (in case you’re the kind of person who is concerned about that kind of thing).

 It is so full of well-plotted, but shocking plot twists that you will not be able to catch your breath from beginning to end. I was routinely completely shocked by various developments and revelations, in the best way possible. I am trying to talk around several absolutely STUNNING revelations because I really don’t want to ruin them for potential readers. The whole last third of the novel, in particular, had me breathlessly sitting on the edge of my seat, trying to figure out who was betraying who and how the hell it was going to end! While the ending was satisfying, it absolutely left plenty of room for a sequel, and I really need everyone to go buy this book (pre-order it even!) so that the author and publishers feel compelled to give me a sequel as quickly as humanly possible, please and thanks!

So, get thee hence! Go order a copy! You can find it at all the usual places: indiebound.org, bookshop.org, barnesandnoble.com, and your local indie bookstore!