Back in March 2020, right at the beginning of the pandemic, I read an ARC for Katharine Schellman’s debut novel and the first of the Lily Adler Mysteries: The Body in the Garden. I devoured it in 3 days. And it was a revelation for me for a couple reasons. First, I just love a good historical mystery, and this was a very good historical mystery novel. Second, I’d been dealing with an inability to read for going on 5 or 6 years in 2020 due to extremely severe depression. While the cloud had been starting to lift in mid-2019, and my brain was finally starting to reanimate a bit, reading (except for audiobooks, which had literally saved my life from about 2014-onward) was still proving almost-impossible. And then I read The Body in the Garden, and it was like a strong wind blowing the clouds away to reveal clear skies. It was like the floodgates opening wide.
I don’t know if it was just a matter of good timing, and that my brain was just about ready to open up again anyway. I don’t know that another book might not have had the same effect. Frankly, it doesn’t really matter. Lily Adler is forever cemented in my mind as an integral element of my ongoing recovery. (It’s also just a really really good book).
So, of course, when the second installment, Silence in the Library, released in August 2021, I leapt for it. And I read it in a single night, in a single sitting in fact. And then I got my hands on an ARC of the third book about a month ago (and read that book in one sitting as well).
So, I thought I would do a double-review of books two and three as I continue to try and convince everyone I know to buy and read these books. My review for the first book can be found here: “Book Review: The Body in the Garden.”
Title: Silence in the Library
Author: Katharine Schellman
Release Date: August 2021
How I Got It: bought from indie mystery bookstore, Murder by the Book
Rating: Five Stars

Let’s begin with the basic plot premise. Silence in the Library opens a few months after the events of the first novel, with Lily having to face possibly her most difficult challenge: dealing with a visit from her father. When Lily’s father demands that she pay a visit to one of his oldest friends, who has recently re-married, the visit quickly goes to hell when the husband is murdered, leaving the new bride in hysterics and the dead man’s adult son (from a previous marriage) the most likely suspect. Add in a shifty cousin who may or may not have been in need of more money, a maid who is murdered before she can tell Lily something she knew, and Lily’s father hindering her at every turn, things get wildly out of hand.
What the first book did well, the second book built upon beautifully. The writing is crisp, the research and historical context impeccable, the mystery compelling, and the characters charming. The core mystery of the novel is clever and twisty, though I confess I like to make a game of seeing if I can solve the mystery before the characters (my mother and I also compete like this when watching murder mystery tv shows – of which we watch a lot), and I succeeded this time. Clearly, I can’t spell it out here without giving everything away, but I told my mother my theory well in advance and was right.
The main character, Lily Adler, is a brilliant, stubborn, somewhat reckless woman, and I love her. I want to be her when I grow up (yes, I am grown up, I am almost 37, but shush, let me have this). In the first book, we see her shaking off the paralysis of her widowhood, and in the second book we see her really stepping into this role she has chosen for herself.
But, of course, there is also the complication of her emotionally-cold, judgmental, domineering father, who has arrived to disapprove of everything she does. Her father’s awful treatment and verbal lashings seem to shake Lily on a few occasions, and she has to fight off the knee-jerk reaction to revert to her more timid childhood-self. Watching the ways Lily alternately defies and bends to her father’s moods is highly relatable (at least to those of us who have parents with… shall we say, powerful personalities?) and deeply inspiring.
The characters I adored in the first book: Captain Jack Hartley, Ofelia, and the Bowstreet Runner Simon Page are all in attendance for the second book. The Captain is as witty and charming and protective of Lily as he was in the first book (and may possibly be developing less-than-platonic feelings for his best friend’s widow). Ofelia, now happily married, continues to be a supportive both as a friend and as a cohort in Lily’s mystery-solving pursuits. And Simon Page, who started out by resenting Lily, has developed a begrudging respect and appreciate for Lily and her skills.
In the middle of the plot-madness, Lily is faced with several red herrings, and a very handsome and charming former soldier that she must (clumsily) attempt to flirt with for information. We also get a glimpse into Simon Page’s personal life and a few scenes from his perspective — something I had not even realized I needed until I had it. (I already respected Simon Page, now I really love him).
Throughout the novel are several disabled and neurodivergent characters of different backgrounds and abilities who are all written with complexity and empathy, and not painted with broad strokes and stereotypes. There are, of course, instances of these characters being treated with derision and cruelty in sadly-historically-accurate ways, but at no point does the text (or the main characters) excuse or condone this behavior, and the perpetrators face consequences for their bigotry.
Just as in the first novel, one of the best parts is the dialogue, which is at turns sharp, warm, and downright hilarious at some points. Lily, Captain Jack Hartley, and Ofelia in particular, all play off each other so well with their differing flavors of sarcasm, dry wit, and gentle teasing. (I continue to adore Jack Hartley.)
And the ending is satisfying while also packing a potent emotional punch.
Title: Death at the Manor
Author: Katharine Schellman
Release Date: 9 August 2022
How I Got It: ARC provided by publisher
Rating: 4.5 Stars

In the third book of the Lily Adler Mysteries series, we go farther afield as Lily Adler leaves London for a few months visiting friends and family in the country. The novel deftly shifts tone in an homage to Regency-era Gothic Literature (think Castle of Otranto or The Woman in White), as Lily must confront a supposedly-haunted country estate in the village where her aunt lives, and attempts to solve a murder that everyone else is content to attribute to a ghost.
In this installment, after Captain Jack Hartley leaves to return to his ship (having been stuck on land for so long due to extended repairs), Lily leaves London to visit her aunt in a small village in the country, bringing her Ofelia and Ofelia’s (ridiculously sweet) husband Ned along with her. Her aunt and her aunt’s friend/companion have been living as two “respectable unmarried women” in a small cottage for decades, and are the only family Lily actually likes. But once there, Lily and her friends accidentally find themselves entangled in yet another murder. While touring a nearby manor to hear about the rumors of a ghost haunting the estate, the Lady of the manor is discovered dead in her locked bedroom, with only her two adult children and four servants (the others having left because of the ghost) as the possible suspects.
At first determined to leave the matter to the authorities, Lily quickly changes her mind when the local authorities admit defeat in the face of the locked door, and accept that the purported ghost must be the cause of death. So Lily and Ofelia, with the grudging assistance of Ned and Lily’s aunt, decide to the solve the murder themselves. An added complication comes from the fact that the charming widowed soldier from the previous book, the ever-attractive Matthew Spencer, happens to live in the same village, and offers his assistance as well, much to Ofelia’s consternation.
The mystery of this installment was especially fun for me because I love a good locked-room mystery, and this one is very well done. The characters run through every possible suspect with increasing confusion and uncertain, and it is a ton of fun to watch the whole thing unfold and try to play along. (I guessed right, again, by the way, but it took me longer than usual and I wasn’t too far ahead of Lily figuring it out lol).
The nods to the gothic genre were also a ton of fun (particularly because as an English Lit grad school I read and studied Regency and Victorian era gothic novels and love them anyway!) I mean, who doesn’t love ghost stories, and creepy dark hallways and billowy white curtains and ominous men standing in shadows and secret passages?
Like Silence in the Library, Death at the Manor gives us an opportunity to see and learn more about different characters. This time we get some concentrated attention paid to Ofelia and her husband Ned, both of whom I adore. We also see a lot more of the charming widower Matthew Spencer. And Lily’s aunt and her aunt’s friend were both delightful as well. (There’s some queer rep in there as well, but spoilers!)
I did, however, feel that the story misses Jack (just as the characters do). When I was starting to read the book, I announced on twitter that if Jack did not make some dramatic mid-book return I was going to be distraught. And reader: I was distraught. For one thing, I simply love that character. For another, he adds so much humor and snark to the dialogue, and does such a good job of keeping Lily on her toes (while Ofelia keeps him on his, lol). That said, I still read the entire book in one setting and loved it and have no real complaints. (The 4.5 stars rating is an only semi-serious, kinda-joking protest on Jack’s behalf.) I also missed Simon Page, who likewise does not make an appearance in this installment.
When I was lamenting the loss of Jack on Twitter, the author, Katharine Schellman, kindly assured me he would return in the next one. Thank goodness. (By the way, Katharine Schellman is an absolute delight on social media as well. She is so kind and generous and friendly with her fans/followers, which is by no means required.) We also know that she has been contracted for a 4th and 5th book (at minimum, I hope), but that they won’t be out for some time.
The worst part about reading arcs far ahead of release date, especially for books in a series, is that you have ALL THAT MUCH LONGER to wait for the next one. Le Sigh. I suppose I’ll probably just re-read all three books at some point this summer…











