We are reaching the end of October. It is therefore that time of year again! It’s NaNoWriMo season, my friends!
I think at this point most bookish types are at least vaguely familiar with Nano, but for the uninitiated NaNoWriMo is short for National Novel Writing Month. Nano takes place in November (Novel, November, get it?). It started in 1999 and is run by a nonprofit group at the website www.nanowrimo.org

It’s a challenge, essentially, to write 50,000 words (of the first draft of a novel) over the course of just 30 days in November — 50,000 was chosen as the official word count goal because it is the rough average length of a published novel. (Sort of, the technical definition of a novel is a piece of fiction writing that is 40,000 words or longer. The average length has gone up in recent years and is probably more like 70-80k words at this point, but 50k is a good goal post for the challenge.) You sign up to join the challenge on the website, and keep track of your word count, follow other writers as “buddies,” and generally try to have fun. If you succeed in writing 50k words by Nov 30th, you officially “win” and get a printable certificate, some cool discounts from various participating business partnerships, and bragging rights.
I’ve been participating (or trying to, anyway) most years since 2010. The ONLY time I’ve “won” was in my first year in 2010, when I actually wrote 70k words towards the first draft of my novel Midnight’s Knife (currently at 160,000 words total, in the 2nd draft). That year, I was unemployed and taking a year break between the end of my MA degree and the beginning of my PhD, which was the ONLY reason I actually managed to succeed. Every other year, as I try to write while also working/studying, I have failed miserably. I have never made it past 25k words since then, and some years don’t even break 15k.
But I try most years (I’ve skipped a few), and will again this year. I am currently unemployed again, which might give me a better chance at winning. BUT I am actively looking for/interviewing for jobs, and will hopefully have a new position soon, which will no doubt kill my chances at hitting 50k. But that’s all right. I need the work. And any writing progress is good progress.
This year, I will be starting a new project I’ve had rattling around in the back of my brain for a few months now. I’ve been telling my brain to wait, to put that back where it came from, and so on, for ages. And I decided that now was the time to let my brain pick up the idea and run with it for a while. I’ve been embracing the “Pantser” method of late, so beyond the basic premise and main characters, I have very little idea of where I’m going with this, but its going to have ALL THE VIBES.
It’s a secondary world setting, loosely inspired by Victorian England, featuring period-appropriate imperialism, and an immigrant family from a conquered/“annexed” country vaguely inspired by Japan. I’m stealing from everywhere for this story (including the Victorian England setting, and the Japanese immigrant experience). This stealing also includes: 1) a main character inspired by Ann Elliott from Jane Austen’s Persuasion, 2) the MC’s immigrant mother based on my Japanese-immigrant grandmother, 3) a main Love Interest loosely based on a combination of Anne Lister (Gentleman Jack) and Julie D’Aubigny, and 4) an undead warlock I stole pretty much wholesale from a rural Ohioan legend a Ohioan friend told me about.
I don’t have a title yet so I’m just calling it the “Wesmaris Project” for the moment (Wesmaris being the name of the imperialist country that is the main setting).
Tags include:
Victorian aesthetic, imperialist bullshit, immigrant family trauma, wlw, mutual pining, femme/butch, introvert/extrovert, magical beings, shady deals with fay in creepy forests, found family, undead warlock, thread magic, stitch-witchery, downtrodden women getting power and getting revenge, soundtrack by Florence + the Machine and Amazing Devil
And here’s the mood board I spent far too much time on:







