Book Review: Clariel

Book: Clariel (Book 4 of The Old Kingdom series)
Author: Garth Nix
Release Date: 2016
Source: owned
Rating: 4 out of 5 stars

I’ve been working my way back through the Old Kingdom series by Garth Nix, as I have read the original trilogy several times, but never got around to reading the prequel (Clariel) or the sequel (Goldenhand) or the two short stories collections that include a couple Old Kingdom stories. So I decided to work through these as part of my “Finish the Series” 2020 reading challenge.

I knew I loved the first three books – Sabriel, Lirael, Abhorsen – and I trust Garth Nix implicitly, so I went into this book with high expectations. And for the most part, I was not disappointed. I noticed online that some people did not like this book as much as some of his others, but I disagree with most of the criticisms. Is it my favorite book in the series? No, of course not. But I thoroughly enjoyed it.

To give a brief description: Clariel takes place approximately 600 years before the events of the original trilogy, so as far as prequels go, it went pretty far back! The main character, Clariel, is a distant relation of both the King and the Abhorsen (and for those familiar with the books, you understand why this is important), but she wants only to become a “borderer” who monitors and protects the great forests of the kingdom, and to be left alone. Her family and political forces behind the throne have other plans however. Dragged against her will away from her home village to the capital city, she is forced to learn how to be a “proper lady” while the governor manipulates events in an effort to marry her to his son, depose the king (who has gone slightly mad and relinquished most of his responsibilities to the governor), and make her his puppet queen. At the same time, forces loyal to the king and the line of succession try to use Clariel to lure a dangerous free magic creature helping the governor out of hiding, and hope to make her a regent in a temporary effort to protect the royal line. (And folks, it just gets more complicated for there!)

Throughout all of this, Clariel discovers she is a Berserk (she goes bloodthirsty with rage when under threat or in high-stress situations) AND she has an affinity for free magic – which is considered highly dangerous and antithetical to human society. While trying to avoid all these political machinations that are attempting to control her, and while trying to find a way to escape back to the forest and the only place she has ever been happy, Clariel slides deeper and deeper into a life of violence, death, and bad decisions.

SPOILER ALERT! SPOILER ALERT! SPOILER ALERT!

It is difficult to talk about why this book is so interesting and unique to me without getting into some spoilers. Some of these spoilers will not be a surprise to people who have read other books in the series, but I still want to give you plenty of warning!

Ready? Ok, here we go into spoilers.

In the original trilogy, there is a character – a villain, one of the people working for the main antagonist – named Chlorr of the Mask. I suspected from the get-go that Clariel was going to end up BEING Chlorr of the Mask. I think anyone who comes into this book with some knowledge of the series would also suspect this. And we would all be correct.

So, what makes this book so interesting is that it is literally the descent of a main character into, perhaps not evil exactly, but amoral self-serving behavior that she manages to rationalize to herself for most of the book. It is a villain origin story. In some ways, it reminded me a bit of the Star Wars prequel trilogy, as we watch Anakin Skywalker, through both manipulation and a series of bad decisions based on fear and anger, fall into darkness and evil. Some online reviews have argued that Clariel’s descent was too quick and not sufficiently developed, but I disagree. I think it was very well done. In fact, I think it was done in a much more believable manner than that of Anakin Skywalker. Her motives, and the ways she is manipulated and tricked by outside forces, were well-written and developed, and fit the character and the world very well.

And, of course, the prose was beautiful and powerful, as Garth Nix’s writing always is.

This is not the first or only book to feature an evil origin story. But I do think such stories are outside the norm, especially in YA (and especially when this book was released in 2016). And I appreciate that Garth Nix did something a bit different and unique, in writing a character that we can totally sympathize with, and even like, while also recognizing that many of the decisions she makes are wrong. That, to me, is the sign of a well-written and complex character.

One other characteristic of note about Clariel is that she is, I believe, written to be asexual/aromantic. And that is EXTREMELY unusual in any fiction, especially in YA. There are many points in the book where Clariel explicitly states that she has no interest in romance, or falling in love, or sex. At one point, she says she isn’t interested in boys, and her aunt suggests maybe she’s interested in girls (which is totally fine to these characters!), but Clariel says, no. She isn’t interested in any of that. At another point, she explains that she experimented with sex a couple times and simply did not understand the appeal. And one of the characters throughout the book expressed romantic interest in her, and she rebuffs him every single time. At no point does the story imply that she just needs to be won-over, or that she hasn’t find the right person. This is just who she is. And I really loved that.

Clariel is not, I think, quite as well-plotted, or as beautifully written, or as emotionally impactful as the original trilogy. But I think it holds up with the rest of the series very well, and I really enjoyed it, and I would recommend it to anyone who has read the first three books and was undecided about whether or not to continue.

Recent Acquisitions and a Mini-Review

My book buying habit has been a bit out of control recently, and so I have a bunch of recent acquisitions to share. So! A catalogue of recent book purchases that have been added to the TBR pile:

The Left-Handed Booksellers of London by Garth Nix (a new book by one of my favorite authors! I received an ARC of this through work, but never got around to reading it, and I knew I wanted to buy a copy anyway, so here we are!)

Each of Us a Desert by Mark Oshiro (I have not read Mark Oshiro’s other work, but this book sounds really interesting and unique, and I watched a virtual book tour talk he gave, and he seemed really cool too, so I bought it!)

To Sleep in a Sea of Stars by Christopher Paolini (I have had this book on pre-order for MONTHS. I was so excited when it finally showed up!)

Solutions and Other Problems by Allie Brosh (I ADORED Allie Brosh’s blog, and I bought her first book and loved it with a fiery passion. I was shocked and delighted when I found out she was releasing a new book after 7 years! I ordered it immediately!)

Hello I Want to Die Please Fix Me: Depression in the First-Person by Anna Mehler Paperny (this title, and the subject of this book, is something I understand deeply, and struggle with on a daily basis, so… yeah.)

The Space Between Worlds by Micaiah Johnson (I got this as my August Book of the Month book, and then kinda just forgot about it. But it looks amazing and its definitely on the TBR list!)

The Arrest by Jonathan Lethem (I received this ARC through work, the book comes out in November. I’m about 1/3 of the way through so far, and I really like it. I’ll do a full review of this one later!)

So that’s my recent acquisitions. In addition, I wanted to drop a very quick short mini-review for a book I did not finish. I received an ARC of Midnight Bargain through work, but…

The Midnight Bargain by C.L. Polk
Release Date: October 2020
Status: DID NOT FINISH

I only got about 1/4 of the way through this book, which is a shame because I really tried to like it. It’s basically a second-world version of a Victorian fantasy romance, which I usually love. And the basic premise is, if a bit derivative and well-worn, was enjoyable enough. The basic plot is this: in a world reminiscent of Regency or Victorian England (but not), where magic is real, a young woman named Beatrice wants to be a sorceress. Both men and women are capable of magic, but only men are allowed to practice it, and women are barred from it once they become married because of fears of danger to an unborn baby. Beatrice doesn’t want to get married though, she wants to practice magic, and she is willing to make a deal with a mischievous spirit in order to make that goal a reality. Unfortunately, for her, she just happens to meet a charming man who seems to actually SEE her for who she is, and the romance that threatens to blossom between them, could undue all her ambitions.

It’s not a bad plot. Like I said, a bit well-worn, but certainly capable of being made interesting, entertaining, even compelling in the right hands. But the characters were very one-note, especially Beatrice. The love interest has a tad more personality and could be a very swoon-worthy leading man, but the very SUDDEN nature of his romantic interest was… hard to swallow no matter how much “suspension of disbelief” I threw at it. The dialogue was clunky and inauthentic, and the narrative prose was… not great. I was surprised because C.L. Polk’s other books (Witchmark, etc) are very highly regarded, so I was expecting this to be better. But overall, I was just unimpressed and uninterested. I’m a little worried it might just be ME, that I’m missing something, or being too critical, but… *shrug* There are too many books, and time is too limited to keep pushing through something that is clearly not working for me.

Ironically, I am currently also reading Clariel by Garth Nix – it’s the fourth book in the Old Kingdom series – and it has a somewhat similar plot to Midnight Bargain, and does it SO MUCH BETTER. The main character, Clariel, comes from a family with distant connections to the king, and a series of political machinations mean to marry her off, put her on the throne, and make her a political puppet. But Clariel has no interest in marrying anyone (I think she’s written to be aromantic/asexual even!), she has no interest in the throne, or magic, or the city: she just wants to go be a solitary hunter/border patrol in the great forests, and she’s willing to do some questionable things to get what she wants. Like I said, somewhat similar plots, but the difference in writing is ENORMOUS. All the characters in Clariel are much more real, flawed and complex and interesting. And the prose is just WORLDS AWAY better. It’s been a very apt comparison, and its pure coincidence I happened to be reading them at the same time, to make that difference in quality so much more apparent. But here we are.